Richard Flynn's recent photos

Another mosaic subway station sign.

2009-11-24T12:17:30Z

Richard Flynn
Another mosaic subway station sign.

Gantry Plaza Park, Long Island City, Queens, New York, New York.

2009-11-24T12:25:01Z

Richard Flynn
Gantry Plaza Park, Long Island City, Queens, New York, New York.

Scenes from the life of St Andrew (c. 1420–30), attr. to the Master of Roussillon (Catalonia). Said to have come from a church at Perpignan. (Cloisters)

2009-11-19T14:09:32Z

Richard Flynn
Scenes from the life of St Andrew (c. 1420–30), attr. to the Master of Roussillon (Catalonia). Said to have come from a church at Perpignan. (Cloisters)

One of the cloisters in the Cloisters. (Cloisters)

2009-11-19T14:08:04Z

Richard Flynn
One of the cloisters in the Cloisters. (Cloisters)

Window into the Gothic chapel. (Cloisters)

2009-11-19T14:09:32Z

Richard Flynn
Window into the Gothic chapel. (Cloisters)

The ‘Man of Sorrows’ fresco (c. 1370) by Niccolò di Tommaso (fl. 1343–76) from Florence. (Cloisters)

2009-11-19T14:09:32Z

Richard Flynn
The ‘Man of Sorrows’ fresco (c. 1370) by Niccolò di Tommaso (fl. 1343–76) from Florence. (Cloisters)

Two stained-glass windows: the adoration of the Magi (1507) by the Circle of the Strassburger Werkstattgemeinschaft (active in southern and central Germany c. 1470–1500), and the circumcis ...

2009-11-19T14:09:32Z

Richard Flynn
Two stained-glass windows: the adoration of the Magi (1507) by the Circle of the Strassburger Werkstattgemeinschaft (active in southern and central Germany c. 1470–1500), and the circumcis ...

Annunciation Triptych (Merode Altarpiece, c. 1427–32) by the Workshop of Robert Campin (Southern Netherlands, Tournai). (Cloisters)

2009-11-19T14:09:32Z

Richard Flynn
Annunciation Triptych (Merode Altarpiece, c. 1427–32) by the Workshop of Robert Campin (Southern Netherlands, Tournai). (Cloisters)

A chapel in the Cloisters. (Cloisters)

2009-11-19T14:09:32Z

Richard Flynn
A chapel in the Cloisters. (Cloisters)

Depiction of the Lamentation from central Spain, c. 1480. (Cloisters)

2009-11-19T14:04:11Z

Richard Flynn
Depiction of the Lamentation from central Spain, c. 1480. (Cloisters)

Panels with the Crucifixion and the Lamentation by the Master of the Codex of St George (Florentine, fl. in Avignon c. 1320–35). (Cloisters)

2009-11-19T14:04:11Z

Richard Flynn
Panels with the Crucifixion and the Lamentation by the Master of the Codex of St George (Florentine, fl. in Avignon c. 1320–35). (Cloisters)

Ivory Altar Cross (English, c. 1150–60) and ivory plaque depicting Christ before the High Priest Caiaphas (English, c. 1150–75). (Cloisters)

2009-11-19T14:03:44Z

Richard Flynn
Ivory Altar Cross (English, c. 1150–60) and ivory plaque depicting Christ before the High Priest Caiaphas (English, c. 1150–75). (Cloisters)

Standing statue of the Virgin and Child (c. 1470), attr. to Niclaus Gerhaert von Leiden (perhaps Viennese, fl. 1460–73). (Cloisters)

2009-11-19T14:04:11Z

Richard Flynn
Standing statue of the Virgin and Child (c. 1470), attr. to Niclaus Gerhaert von Leiden (perhaps Viennese, fl. 1460–73). (Cloisters)

A cloistered courtyard. (Cloisters)

2009-11-19T14:04:11Z

Richard Flynn
A cloistered courtyard. (Cloisters)

‘Scenes from the Life of St Augustine’ (c. 1490) by the Master of St Augustine (South Lowlands, Flanders, Bruges).

2009-11-19T14:04:11Z

Richard Flynn
‘Scenes from the Life of St Augustine’ (c. 1490) by the Master of St Augustine (South Lowlands, Flanders, Bruges).

A woman looks at a mid-15th-century polyptych featuring the Nativity (S. Lowlands, Brabant, Brussels area). (Cloisters)

2009-11-19T14:04:11Z

Richard Flynn
A woman looks at a mid-15th-century polyptych featuring the Nativity (S. Lowlands, Brabant, Brussels area). (Cloisters)

German tourists look at stained glass in the Gothic chapel. (Cloisters)

2009-11-19T14:04:11Z

Richard Flynn
German tourists look at stained glass in the Gothic chapel. (Cloisters)

A tomb in the Gothic chapel. (Cloisters)

2009-11-19T13:58:19Z

Richard Flynn
A tomb in the Gothic chapel. (Cloisters)

The Gothic chapel of the Cloisters. (Cloisters)

2009-11-19T13:58:19Z

Richard Flynn
The Gothic chapel of the Cloisters. (Cloisters)

One of the cloisters in the Cloisters. (Cloisters)

2009-11-19T13:56:06Z

Richard Flynn
One of the cloisters in the Cloisters. (Cloisters)

The altar of the Langon chapel from the choir of the church of Notre-Dame-du-Bourg at Langon, near Bordeaux (after 1126). (Cloisters)

2009-11-19T13:58:19Z

Richard Flynn
The altar of the Langon chapel from the choir of the church of Notre-Dame-du-Bourg at Langon, near Bordeaux (after 1126). (Cloisters)

The Langon chapel from the choir of the church of Notre-Dame-du-Bourg at Langon, near Bordeaux (after 1126). (Cloisters)

2009-11-19T13:58:19Z

Richard Flynn
The Langon chapel from the choir of the church of Notre-Dame-du-Bourg at Langon, near Bordeaux (after 1126). (Cloisters)

One of the statues guarding the limestone doorway from the abbey of Moutiers-St-Jean, near Dijon (c. 1250). (Cloisters)

2009-11-19T13:58:19Z

Richard Flynn
One of the statues guarding the limestone doorway from the abbey of Moutiers-St-Jean, near Dijon (c. 1250). (Cloisters)

Limestone doorway from the abbey of Moutiers-St-Jean, near Dijon (c. 1250). (Cloisters)

2009-11-19T13:58:19Z

Richard Flynn
Limestone doorway from the abbey of Moutiers-St-Jean, near Dijon (c. 1250). (Cloisters)

One of the cloisters in the Cloisters. (Cloisters)

2009-11-19T13:58:19Z

Richard Flynn
One of the cloisters in the Cloisters. (Cloisters)

The Fuentidueña Apse (Spanish, c. 1175–1200), from the church of San Martín at Fuentidueña, near Segovia. (Cloisters)

2009-11-19T13:58:19Z

Richard Flynn
The Fuentidueña Apse (Spanish, c. 1175–1200), from the church of San Martín at Fuentidueña, near Segovia. (Cloisters)

Crucifix and stucco dome inside the Fuentidueña Apse (Spanish, c. 1175–1200), from the church of San Martín at Fuentidueña, near Segovia. (Cloisters)

2009-11-19T13:51:53Z

Richard Flynn
Crucifix and stucco dome inside the Fuentidueña Apse (Spanish, c. 1175–1200), from the church of San Martín at Fuentidueña, near Segovia. (Cloisters)

The outside of the Cloisters. (Cloisters)

2009-11-19T13:51:12Z

Richard Flynn
The outside of the Cloisters. (Cloisters)

Looking from Fort Tryon Park (close to the Cloisters) over the Hudson River to New Jersey.

2009-11-19T13:51:12Z

Richard Flynn
Looking from Fort Tryon Park (close to the Cloisters) over the Hudson River to New Jersey.

The books and cards section of the enormous Metropolitan Museum of Art Store. (Met.)

2009-11-19T13:51:12Z

Richard Flynn
The books and cards section of the enormous Metropolitan Museum of Art Store. (Met.)

Photographing Vincent van Gogh’s (1853–90) ‘Self-portrait with a straw hat’ (1887). (Met.)

2009-11-19T13:51:12Z

Richard Flynn
Photographing Vincent van Gogh’s (1853–90) ‘Self-portrait with a straw hat’ (1887). (Met.)

Women in coloured head-scarves look at the black-hatted woman in Henry Lerolle’s (1848–1929) ‘The Organ Rehearsal’ (by 1885). (Met.)

2009-11-19T13:51:12Z

Richard Flynn
Women in coloured head-scarves look at the black-hatted woman in Henry Lerolle’s (1848–1929) ‘The Organ Rehearsal’ (by 1885). (Met.)

‘Panoramic View of the Palace and Gardens of Versailles’ (1818–19) by John Vanderlyn (1775–1852). I have previously written about this painting elsewhere, where you can also zoom in ...

2009-11-19T13:48:30Z

Richard Flynn
‘Panoramic View of the Palace and Gardens of Versailles’ (1818–19) by John Vanderlyn (1775–1852). I have previously written about this painting elsewhere, where you can also zoom in ...

An empty gallery at the Met. (Met.)

2009-11-19T13:51:12Z

Richard Flynn
An empty gallery at the Met. (Met.)

Visitors in the European painting galleries. (Met.)

2009-11-19T13:51:12Z

Richard Flynn
Visitors in the European painting galleries. (Met.)

View from the roof garden of the Met. over Central Park towards Midtown Manhattan. (Met.)

2009-11-19T13:51:12Z

Richard Flynn
View from the roof garden of the Met. over Central Park towards Midtown Manhattan. (Met.)

The key/description for the panoramic painting of the Palace and Gardens of Versailles (next photo). (Met.)

2009-11-19T13:51:12Z

Richard Flynn
The key/description for the panoramic painting of the Palace and Gardens of Versailles (next photo). (Met.)

Inside the Temple of Dendur. (Met.) (Five photos stitched together.)

2009-11-19T13:51:12Z

Richard Flynn
Inside the Temple of Dendur. (Met.) (Five photos stitched together.)

Looking at the outside of the Egyptian Temple of Dendur. (Met.)

2009-11-19T13:51:12Z

Richard Flynn
Looking at the outside of the Egyptian Temple of Dendur. (Met.)

‘Hibiscus and parrots’ (1910–20), stained glass by Louis C. Tiffany (1848–1933) and Tiffany Studios. (Met.)

2009-11-19T13:51:12Z

Richard Flynn
‘Hibiscus and parrots’ (1910–20), stained glass by Louis C. Tiffany (1848–1933) and Tiffany Studios. (Met.)

Tapestry room from Croome Court, Worcestershire (built 1751–60). (Met.) (Three photos stitched together.)

2009-11-19T13:51:12Z

Richard Flynn
Tapestry room from Croome Court, Worcestershire (built 1751–60). (Met.) (Three photos stitched together.)

A bedroom in the Met. (Met.)

2009-11-19T13:51:12Z

Richard Flynn
A bedroom in the Met. (Met.)

Visitors pass through a room filled with 18th-century English furniture. (Met.)

2009-11-19T13:51:12Z

Richard Flynn
Visitors pass through a room filled with 18th-century English furniture. (Met.)

Dining room from Lansdowe House (this room built c. 1765–8), in the southwest corner of Berkeley Square, W.1. (Met.) (Three photos stitched together.)

2009-11-19T13:51:12Z

Richard Flynn
Dining room from Lansdowe House (this room built c. 1765–8), in the southwest corner of Berkeley Square, W.1. (Met.) (Three photos stitched together.)

Inside the Met.

2009-11-19T13:51:12Z

Richard Flynn
Inside the Met.

Inside the Met.

2009-11-19T13:51:12Z

Richard Flynn
Inside the Met.

Visitors in one of the Classical galleries in the Met. (Met.)

2009-11-19T13:05:56Z

Richard Flynn
Visitors in one of the Classical galleries in the Met. (Met.)

Visitors in one of the Classical galleries in the Met. (Met.)

2009-11-19T13:03:13Z

Richard Flynn
Visitors in one of the Classical galleries in the Met. (Met.)

Visitors pass through one of the Classical galleries in the Met. (Met.)

2009-11-19T13:05:56Z

Richard Flynn
Visitors pass through one of the Classical galleries in the Met. (Met.)

Marble grave stele of a young woman (Attic, c. 400–390 B.C.) (Met.)

2009-11-19T13:05:56Z

Richard Flynn
Marble grave stele of a young woman (Attic, c. 400–390 B.C.) (Met.)

School-children photographing an Egyptian statue. (Met.)

2009-11-19T13:05:56Z

Richard Flynn
School-children photographing an Egyptian statue. (Met.)

Marble grave stele with a family group (Attic, c. 360 B.C.). (Met.)

2009-11-19T13:05:56Z

Richard Flynn
Marble grave stele with a family group (Attic, c. 360 B.C.). (Met.)

A head of a Classical statue. (Met.)

2009-11-19T13:05:56Z

Richard Flynn
A head of a Classical statue. (Met.)

Roman statue. (Met.)

2009-11-19T12:57:49Z

Richard Flynn
Roman statue. (Met.)

A group sketches a Roman statue. (Met.)

2009-11-19T12:57:49Z

Richard Flynn
A group sketches a Roman statue. (Met.)

Mosaic panel with pygmies in a Nilotic scene (Roman, mid-3rd century A.D.). (Met.)

2009-11-19T12:54:29Z

Richard Flynn
Mosaic panel with pygmies in a Nilotic scene (Roman, mid-3rd century A.D.). (Met.)

A woman listens to the audio guide describing three wall-paintings from the main reception-hall of the late-Republic (c. 50–40 B.C.) villa of P. Fannius Synistor at Boscoreale. (Met.)

2009-11-19T12:54:37Z

Richard Flynn
A woman listens to the audio guide describing three wall-paintings from the main reception-hall of the late-Republic (c. 50–40 B.C.) villa of P. Fannius Synistor at Boscoreale. (Met.)

A school-group gathered around a Roman statue. (Met.)

2009-11-19T12:54:05Z

Richard Flynn
A school-group gathered around a Roman statue. (Met.)

Visitors in one of the Classical galleries in the Met. (Met.)

2009-11-19T12:54:16Z

Richard Flynn
Visitors in one of the Classical galleries in the Met. (Met.)

‘Ugolino and his Sons’ (1865–7) by Jean-Baptiste Carpeaux (1827–75). (Met.)

2009-11-19T12:54:16Z

Richard Flynn
‘Ugolino and his Sons’ (1865–7) by Jean-Baptiste Carpeaux (1827–75). (Met.)

Tapestry of Napoleon I (1805) by François Gérard (1770–1805). (Met.)

2009-11-19T12:54:16Z

Richard Flynn
Tapestry of Napoleon I (1805) by François Gérard (1770–1805). (Met.)

Statue of a reclining Naiad by Antonio Canova (1757–1822) in front of ‘Promenade in a Barge’ and ‘Young girls dancing before a grotto’, woodblock-printed wallpaper by the House of ...

2009-11-19T12:54:16Z

Richard Flynn
Statue of a reclining Naiad by Antonio Canova (1757–1822) in front of ‘Promenade in a Barge’ and ‘Young girls dancing before a grotto’, woodblock-printed wallpaper by the House of ...

In the European Sculpture Court. (Met.) (Three photos blended together; the woman in the red coat was in the same position for all three photos while people walked past her.)

2009-11-19T12:54:16Z

Richard Flynn
In the European Sculpture Court. (Met.) (Three photos blended together; the woman in the red coat was in the same position for all three photos while people walked past her.)

A room from the Hôtel de Cabris at Grasse (built 1771–5). (Met.)

2009-11-19T12:54:16Z

Richard Flynn
A room from the Hôtel de Cabris at Grasse (built 1771–5). (Met.)

A dancing cupid in the American Wing courtyard. (Met.)

2009-11-19T12:48:31Z

Richard Flynn
A dancing cupid in the American Wing courtyard. (Met.)

‘View of Oyster Bay’ (1908), stained glass by Louis C. Tiffany (1848–1933) and his Tiffany Studios. (Met.)

2009-11-19T12:48:31Z

Richard Flynn
‘View of Oyster Bay’ (1908), stained glass by Louis C. Tiffany (1848–1933) and his Tiffany Studios. (Met.)

‘Autumn Landscape’ stained glass, attributed to Agnes Northrop (1857–1953) for Tiffany Studios. (Met.)

2009-11-19T12:48:31Z

Richard Flynn
‘Autumn Landscape’ stained glass, attributed to Agnes Northrop (1857–1953) for Tiffany Studios. (Met.)

‘Garden landscape and fountain’ mosaic by Louis C. Tiffany (1848–1933) for Tiffany Studios. (Met.)

2009-11-19T12:46:34Z

Richard Flynn
‘Garden landscape and fountain’ mosaic by Louis C. Tiffany (1848–1933) for Tiffany Studios. (Met.)

‘Welcome’ by John La Farge (1835–1910), a piece of stained glass installed in the atrium of a private New-York home. (Met.)

2009-11-19T12:48:31Z

Richard Flynn
‘Welcome’ by John La Farge (1835–1910), a piece of stained glass installed in the atrium of a private New-York home. (Met.)

People pass through the American Wing courtyard. (Met.) (Seven photos blended together.)

2009-11-19T12:48:31Z

Richard Flynn
People pass through the American Wing courtyard. (Met.) (Seven photos blended together.)

People pass through the American Wing courtyard. (Met.) (Three photos blended together.)

2009-11-19T12:48:31Z

Richard Flynn
People pass through the American Wing courtyard. (Met.) (Three photos blended together.)

‘Miriam and Jubal’ (1843–8) by Wlliam Jay Bolton (1816–84) and John Bolton (1818–98), from the church of St Ann and the Holy Trinity in Brooklyn. (Met.)

2009-11-19T12:48:31Z

Richard Flynn
‘Miriam and Jubal’ (1843–8) by Wlliam Jay Bolton (1816–84) and John Bolton (1818–98), from the church of St Ann and the Holy Trinity in Brooklyn. (Met.)

‘Faith and Hope’ (1867–9) by Henry E. Sharp (fl. c. 1850–c. 1897), designed for St Ann’s Episcopal church in Brooklyn (now St Ann and the Holy Trinity church). (Met.)

2009-11-19T12:48:31Z

Richard Flynn
‘Faith and Hope’ (1867–9) by Henry E. Sharp (fl. c. 1850–c. 1897), designed for St Ann’s Episcopal church in Brooklyn (now St Ann and the Holy Trinity church). (Met.)

Statues of Our Lady in the medieval collection. (Met.)

2009-11-19T12:48:31Z

Richard Flynn
Statues of Our Lady in the medieval collection. (Met.)

A silver reliquary in the shape of an arm (northern French, c. 1200–50), a gilded silver Processional Cross (Spanish, c. 1450), and one of three volumes of a Spanish translation of Augusti ...

2009-11-19T12:48:31Z

Richard Flynn
A silver reliquary in the shape of an arm (northern French, c. 1200–50), a gilded silver Processional Cross (Spanish, c. 1450), and one of three volumes of a Spanish translation of Augusti ...

Pietà with donors (French, c. 1515): the donors are Pons de Gontaut and his brother Armand, Bishop of Sarlat, in whose family funerary chapel this sculpture originally stood. (Met.)

2009-11-19T12:48:31Z

Richard Flynn
Pietà with donors (French, c. 1515): the donors are Pons de Gontaut and his brother Armand, Bishop of Sarlat, in whose family funerary chapel this sculpture originally stood. (Met.)

‘The Entombment’ (French, c. 1515). (Met.)

2009-11-19T12:40:53Z

Richard Flynn
‘The Entombment’ (French, c. 1515). (Met.)

Collection of late-medieval stained glass. (Met.)

2009-11-19T12:39:56Z

Richard Flynn
Collection of late-medieval stained glass. (Met.)

Photographing stained glass. (Met.)

2009-11-19T12:39:30Z

Richard Flynn
Photographing stained glass. (Met.)

Late-medieval stained glass. (Met.)

2009-11-19T12:39:56Z

Richard Flynn
Late-medieval stained glass. (Met.)

Virgin and child statue (c. 1325–50) by Guillem Seguer (Catalan, fl. mid-14th century). (Met.)

2009-11-19T12:39:56Z

Richard Flynn
Virgin and child statue (c. 1325–50) by Guillem Seguer (Catalan, fl. mid-14th century). (Met.)

Medieval statue of the Virgin and child in front of the rood screen from the cathedral at Valladolid. (Met.)

2009-11-19T12:39:56Z

Richard Flynn
Medieval statue of the Virgin and child in front of the rood screen from the cathedral at Valladolid. (Met.)

Statue of a mourning Virgin from a Crucifixion group (French, c. 1450–75). (Met.)

2009-11-19T12:39:56Z

Richard Flynn
Statue of a mourning Virgin from a Crucifixion group (French, c. 1450–75). (Met.)

A painted-canvas processional banner (c. 1395–1400) by Spinello Aretino (Tuscan, d. 1411). (Met.)

2009-11-19T12:39:56Z

Richard Flynn
A painted-canvas processional banner (c. 1395–1400) by Spinello Aretino (Tuscan, d. 1411). (Met.)

Visitors in the medieval gallery pass through the rood screen from Valladolid cathedral. (Met.)

2009-11-19T12:39:56Z

Richard Flynn
Visitors in the medieval gallery pass through the rood screen from Valladolid cathedral. (Met.)

‘Virgin and child enthroned with scenes from the Life of th Virgin’ (Spanish, c. 1400–1500). (Met.)

2009-11-19T12:34:18Z

Richard Flynn
‘Virgin and child enthroned with scenes from the Life of th Virgin’ (Spanish, c. 1400–1500). (Met.)

Looking past the Brooklyn Bridge to Downtown Manhattan.

2009-11-14T08:11:34Z

Richard Flynn
Looking past the Brooklyn Bridge to Downtown Manhattan.

The large-scale construction of the new 1 World Trade Center in Downtown Manhattan.

2009-11-14T01:06:47Z

Richard Flynn
The large-scale construction of the new 1 World Trade Center in Downtown Manhattan.

At the entrance to the construction site for the new 1 World Trade Center, which is being built on the site formerly occupied by the twin towers.

2009-11-14T01:00:48Z

Richard Flynn
At the entrance to the construction site for the new 1 World Trade Center, which is being built on the site formerly occupied by the twin towers.

People photograph the World Trade Center cross.

2009-11-14T01:01:56Z

Richard Flynn
People photograph the World Trade Center cross.

This sign is attached to the World Trade Center cross near the site of the former WTC. The cross was found in the rubble following the terrorist attacks, and is in fact the junction of two p ...

2009-11-14T00:57:31Z

Richard Flynn
This sign is attached to the World Trade Center cross near the site of the former WTC. The cross was found in the rubble following the terrorist attacks, and is in fact the junction of two p ...

Other photographers at Gantry Plaza Park in Long Island City.

2009-11-14T00:57:35Z

Richard Flynn
Other photographers at Gantry Plaza Park in Long Island City.

I have recently noticed more and more usage of this ‘retro’ Pepsi logotype, which was one of the earliest logos used for the drink, and is surely reminiscent of the hardy Coca-Cola logo ...

2009-11-14T00:50:58Z

Richard Flynn
I have recently noticed more and more usage of this ‘retro’ Pepsi logotype, which was one of the earliest logos used for the drink, and is surely reminiscent of the hardy Coca-Cola logo ...

Panoramic view of Lower and Midtown Manhattan from across the East River in Long Island City. (Nine photos stitched together.)

2009-11-14T00:53:35Z

Richard Flynn
Panoramic view of Lower and Midtown Manhattan from across the East River in Long Island City. (Nine photos stitched together.)

The Chrysler Building and the UN Headquarters as seen from across the East River at Long Island City, in the borough of Queens.

2009-11-14T00:18:47Z

Richard Flynn
The Chrysler Building and the UN Headquarters as seen from across the East River at Long Island City, in the borough of Queens.

On-board the subway.

2009-11-14T00:21:39Z

Richard Flynn
On-board the subway.

On-board the subway.

2009-11-14T00:14:04Z

Richard Flynn
On-board the subway.

A rather good cellist at Times Square subway station.

2009-11-14T00:09:13Z

Richard Flynn
A rather good cellist at Times Square subway station.

Waiting for the subway train at Times Square station.

2009-11-14T00:06:56Z

Richard Flynn
Waiting for the subway train at Times Square station.

Pedestrians in 5th Avenue. The Empire State Building is in the distance.

2009-11-14T00:07:38Z

Richard Flynn
Pedestrians in 5th Avenue. The Empire State Building is in the distance.